Illustrated throughout, The Penguin Classics Marvel Collection presents specially curated cartoon anthologies of the world's greatest superheroes
The seeds of a pop-cultural phenomenon were sown with the launch of the first X-Men comic in 1963, at the height of 'the Marvel Revolution', under the creative team of Stan Lee and Jack Kirby. This title is bookended by the first issue, which established a creative formula that continues to inspire contemporary creators, to the later editions still acclaimed for the ground-breaking artwork of Neal Adams.
A foreword by Rainbow Rowell and a comprehensive introduction and notes by Ben Saunders offer further insight into the enduring significance of the X-Men and classic Marvel comics. This Penguin Classics black spine paperback features full-colour art.
Author: Stan Lee, Jack Kirby, Roy Thomas
Publisher: Penguin Group
Published: 09/12/2023
Pages: 432
Binding Type: Paperback
Weight: 2.20lbs
Size: 9.92h x 6.93w x 1.02d
ISBN: 9780143135777
About the Author
Writer-editor Stan Lee (1922- 2018) and artist Jack Kirby made comic book history in 1961 with The Fantastic Four #1. The success of its new style inspired Lee and his many collaborators to develop a number of Super Heroes, including, with Jack Kirby, the Incredible Hulk and the X-Men; with Steve Ditko, the Amazing Spider-Man and Doctor Strange; and with Bill Everett, Daredevil. Lee oversaw the adventures of these creations for more than a decade before handing over the editorial reins at Marvel to others and focusing on developing Marvel's properties in other media. For the remainder of his long life, he continued to serve as a creative figurehead at Marvel and as an ambassador for the comics medium as a whole. In his final years, Lee's signature cameo appearances in Marvel's films established him as one of the world's most famous faces.
Born Jacob Kurtzberg in 1917 to Jewish-Austrian parents on New York's Lower East Side,
Jack Kirby came of age at the birth of the American comic book industry. Horrified by the rise of Nazism, Kirby co-created the patriotic hero Captain America with Joe Simon in 1940. Cap's exploits on the comic book page entertained millions of American readers at home and inspired US troops fighting the enemy abroad. Kirby's partnership with Simon continued throughout the 1940s and early '50s; together, they produced comics in every popular genre, from Western to romance. In 1958, Kirby began his equally fruitful collaboration with writer- editor Stan Lee, and in 1961 the two men co-created the foundational text of the modern Marvel Universe:
The Fantastic Four. Over the next decade, Kirby and Lee would introduce a mind- boggling array of new characters-- including the Avengers, the Hulk, Thor, Iron Man, the Silver Surfer, and the X-Men. Kirby's groundbreaking work with Lee formed the foundation of the Marvel Universe. In the early 1970s, Kirby moved to DC Comics, where he created his interconnected Fourth World series, as well as freestanding titles such as
The Demon. He returned to Marvel in 1975, writing and illustrating
The Black Panther and
Captain America, and introducing series such as
Devil Dinosaur, and
The Eternals. Kirby died in 1994. Today, he is generally regarded as one of the most important and influential creators in the history of American comics. His work has inspired multiple generations of writers, artists, designers, and filmmakers, who continue to explore his vast universe of concepts and characters. He was an inaugural inductee into the Eisner Hall of Fame in 1987.
Roy Thomas joined the Marvel Bullpen as a writer and editor under Stan Lee, scripting key runs of nearly every title of the time:
Amazing Spider-Man,
Avengers,
Daredevil,
Doctor Strange,
Sub-Mariner,
Thor,
X-Men and more. He wrote the first 10 years of Marvel's
Conan the Barbarian and
Savage Sword of Conan; and launched such series as
Defenders,
Iron Fist,
Invaders and
Warlock. At DC, he developed
All-Star Squadron,
Infinity Inc. and related titles, proving instrumental in reviving the Golden Age Justice Society of America. Thomas later became editor of
Alter Ego, a magazine devoted to comic-book history, and co-scripted the sword-and-sorcery films
Fire and Ice and
Conan the Destroyer.
Werner Roth may not be remembered as widely as Marvel Age giants like Kirby, Ditko or Buscema, but that cannot change the fact that he was a key contributor during the early years when Marvel's Silver Age legacy was still an unknown quantity. In fact, unlike those other artists, Werner Roth was an active participant in the earliest years of Marvel's Atlas Era: the beyond beautiful heroine, Venus; Matt Slade, Western gunfighter; the horror/suspense stories of
Strange Tales, Menace and
World of Fantasy...Werner did it all! His two titles of longest creative standing were the Native American Western title
Apache Kid and
Lorna, the Jungle Queen, for which he turned in consistently lovely artwork. After several years away from comics, he reemerged at Marvel drawing
X-Men, the first permanent artist installed to fill the big shoes of Jack Kirby. Werner's
X-Men work has charm to burn, with freewheeling renderings of such frozen-in-time characters like The Locust, Kukulcan/El Tigre, and Factor Three. He also created the visual look of The Banshee, certainly one of his most memorable contributions to the
X-Men legacy. After his run on the
X-Men ended, Werner dabbled in comics for a bit in the '70s before retiring.
Don Heck (1929-1995) worked for Harvey, Quality, Hillman and other publishers before arriving at Atlas Comics, later Marvel, where he penciled and inked stories for virtually every genre: crime, horror, jungle, romance, war, Western and more. With Stan Lee and others, he launched
Iron Man, his supporting cast and his early rogues' gallery -- including the Black Widow, Hawkeye and the Mandarin. He also succeeded Jack Kirby on
Avengers. At DC, his artwork appeared in
Justice League of America,
Flash,
Wonder Woman and other titles.
Neal Adams took the industry by storm with groundbreaking artwork on
X-Men and
Avengers. At DC, he and Dennis O'Neil collaborated on
Batman and converted
Green Lantern to
Green Lantern/Green Arrow, a title famed for its combination of social commentary and comic-book action. He later founded Continuity Associates, home of
Bucky O'Hare,
Ms. Mystic and other fan favorites. After years of political activism, Adams returned to comics to write and draw
Batman: Odyssey for DC, and provide art for Marvel's
New Avengers.
Arnold Drake (1924-2007) helped shape the Silver Age both at Marvel with
Captain Marvel and
X-Men; and at DC with
Batman,
Doom Patrol and "Stanley and His Monster." His media tie-in work ranged from
Star Trek to Bob Hope and Jerry Lewis. He wrote, produced and directed the 1964 horror film
The Flesh Eaters, and wrote lyrics for several musicals. He won 1967 Alley Awards for Best Full-Length Story and Best New Strip (both for Deadman in
Strange Adventures), as well as the Bill Finger Award for Excellence in Comics Writing.
Guaranteed immortality for introducing Johnny Blaze, the Ghost Rider,
Gary Friedrich also played a pivotal role in Marvel's 1970s Western and war comics, penning memorable tales of
Sgt. Fury and launching the Marine series
Captain Savage. In addition, Friedrich wrote issues of
Incredible Hulk, Captain America, Captain Marvel, Daredevil, X-Men and more. With Steve Ditko, he co-created Charlton's
Blue Beetle, now a DC character. With Len Brown, he wrote a series of books on popular music.
One of the Golden Age's earliest talents,
George Tuska (1916-2009) created characters for Fiction House, Harvey Comics and Fawcett Comics'
Captain Marvel Adventures, among many others. He helped launch one of the most popular post-war genres in Lev Gleason's
Crime Does Not Pay. He eventually provided multi-genre art for Atlas Comics, to which he returned following its transformation into Marvel. Tuska penciled
Ghost Rider,
Luke Cage: Power Man and
Sub-Mariner, as well as a 10-year
Iron Man stint. At DC, he illustrated
Challengers of the Unknown and
Superman, among others. As a comic-strip artist, Tuska drew
Buck Rogers,
Scorchy Smith and DC's
World's Greatest Superheroes. His final industry work was cover art for
Masquerade, part of Dynamite's Golden Age character revival, bringing him full circle.
Ben Saunders is a professor of English at the University of Oregon. He is the author of
Desiring Donne: Poetry, Sexuality, Interpretation and
Do the Gods Wear Capes?: Spirituality, Fantasy, and Superheroes, as well as numerous critical essays on subjects ranging from the writings of Shakespeare to the recordings of Little Richard. He has also curated several museum exhibitions of comics art, including the record- breaking, multimedia touring show
Marvel: Universe of Super Heroes-- a retrospective exploring the artistic and cultural impact of Marvel Comics from 1939 to the present.
Rainbow Rowell is the award- winning, #1
New York Times bestselling author of
Eleanor & Park,
Fangirl,
Landline,
Attachments, and the Simon Snow Trilogy. She has written monthly
Runaways and
She-Hulk comics for Marvel.
