Grass -- Keum Suk Gendry-Kim, Paperback

Appeared on best of the year lists from The New York Times, The Guardian, and more Winner of The Cartoonist Studio Prize for Best Print Comic of the Year

Grass is a powerful antiwar graphic novel, telling the life story of a Korean girl named Okseon Lee who was forced into sexual slavery for the Japanese Imperial Army during the Second World War--a disputed chapter in twentieth-century Asian history.

Beginning in Lee's childhood, Grass shows the lead-up to the war from a child's vulnerable perspective, detailing how one person experienced the Japanese occupation and the widespread suffering it entailed for ordinary Koreans. Keum Suk Gendry-Kim emphasizes Lee's strength in overcoming the many forms of adversity she experienced. Grass is painted in a black ink that flows with lavish details of the beautiful fields and farmland of Korea and uses heavy brushwork on the somber interiors of Lee's memories.

The cartoonist Gendry-Kim's interviews with Lee become an integral part of Grass, forming the heart and architecture of this powerful nonfiction graphic novel and offering a holistic view of how Lee's wartime suffering changed her. Grass is a landmark graphic novel that makes personal the desperate cost of war and the importance of peace.

Author: Keum Suk Gendry-Kim
Publisher: Drawn & Quarterly
Published: 08/27/2019
Pages: 480
Binding Type: Paperback
Weight: 1.85lbs
Size: 8.30h x 5.90w x 1.40d
ISBN: 9781770463622

Review Citation(s):
Publishers Weekly 04/29/2019
Booklist 10/15/2019 pg. 40
Library Journal 10/25/2019 pg. 1

About the Author
Keum Suk Gendry-Kim was born in Goheung in Jeolla Province, a town famous for its beautiful mountains and shores. Her graphic novels include The Song of My Father, Jiseul, and Kogaeyi, which have been translated and published in France. She also wrote and illustrated The Baby Hanyeo Okrang Goes to Dokdo, A Day with My Grandpa, and My Mother Kang Geumsun. She received the Best Creative Manhwa Award for her short manhwa "Sister Mija," about a comfort woman. She has had exhibitions of her works in Korea and Europe since 2012, and her graphic novels and manhwa deal mostly with people who are outcasts or marginalized.